“The notion of presence…would be guided not only by the desire to transform the artist's presence into an invitation, but also by the intention of, “[...] in the act of the encounter between performer and audience, to allow the emergence of affections to take shape in change…”. The reference here is that of an invitation-presence that “[...] evokes, that wants to provoke the senses, but that does not ignore the effects, on the bodies, of this transit of affections”

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-Milene Lopes Duenha